If I Had a Conscience..

Oh my how I'd be emberassed. Luckily I don't have one that's bothering me in the main, but I do feel a bit bad for the ones that have been visiting. For some splendid reason I had some 25 hits on the 25th of November, can't really understand it, but thank you guys.

To try and explain, I've had one hell of a time at work. Three people out of the remaining eight quit in a pretty short interval which has meant chaotic times at the office. I'm fairly certain I managed to get started on a draft for my review of Forge of Darkness, which was a great read, so I'll see if I can't get it up sometime during the weekend.

I've also gotten about halfway through A Path to Coldness but it's been pretty slow reading, both because of work and then because Glen Cook has been less direct in his story-telling this time around. I'm sure I'll finish it off in the coming week as it's still pretty light reading.
I'll see where I go from there, I've booked a trip to New York with my girlfriend, so I'm expecting to make some headway in my reading then.

Cheers for being patient so far!

These are hectic days

I'll get to working on the review of Forge of Darkness as soon as I get some spare moments in front of the computer. As things stand I've managed a brief reflection on what's to come, and I'm having a really hard time avoiding spoilers. But I'll get there, eventually.

Work has been demanding lately, and if that wasn't enough we've entered an october's end that means a lot of birthdays and parties. As if that wasn't enough, my 30th is coming up as well.

As you can see, I just set out upon Cook's final Dread Empire collection, A Path to Coldness of Heart. I haven't gotten that far, and I've had trouble really immersing myself in the story but I'm sure Bragi and his friends and foes will grab a hold of me eventually.

I also noticed Red Country is in stock at my local store so I need to plan my way over there.
Well, back to work!

A great moment in time.

I haven't yet decided which book to choose next, and I haven't really had the time of day to get any reading done. What with Sweden cruising to a 4-4 draw with Germany on tuesday and yesterday planning for a friend's website and musical odyssey-project I'm still undecided. There are a fair few to choose from and, as mentioned, Red Country will be out in the next few days.

Speaking of which, I noticed yesterday that the 3rd chapter is available for reading on Gollancz's blog. I've so far managed to contain my curiosity, and hopefully I can keep myself until I get a chance to read the entire book. But if you're interested, don't let me hold you back.

In exactly one week's time I'll be 30. How about that!?

On the subject of Stephen Deas..

If you haven't already, be sure to head over to Gollancz and read the exlusive Stephen Deas' short-story the Thief-Taker's Blade. It's a short piece but showing off Deas at his usual.

It's a prequel of sorts to the Thief-Taker's Apprentice, and serves as a sort of PR-project for the release of the latest book in the same series the King's Assassin.

The Adamantine Palace

I've finally managed to sit down in some peace and quiet to type down my thoughts on Stephen Deas and his wonderfully crafted the Adamantine Palace. It's the first novel, and apparently debut, in a series titled Memory of Flames, but so far I've not managed to learn how many books are planned.

I have to say, from what I've seen so far, Stephen Deas' work this far in my reading experience is one of the finest debuts I've seen, though he's facing stiff competion when compared to Saladin Ahmed and his Throne of the Crescent Moon, even if they are very different in tone and style.

Deas has done a good job breathing new life into one of the most characteristic features of the fantasy genre, the dragon. Deas' breed have more in common with the dragons of Reign of Fire than most generic fantasy dragons, and we see a species that have to be kept tightly in check or they're likely to wrest control away from humanity.

Stephen Deas has a pretty direct and brutal style of writing that's reminiscent of Abercrombie, and even though in quite stark contrast with Erikson's intricate world and enormous cast I saw more of Erikson in Deas' writing than any of the other 'touted inheritors' novels that I've read so far this year.

A torrent of flames poured from the sky, swallowing the white dragon and her Scales in its fury. The river waters steamed. Stones cracked in the heat. Huros stood stock still. He was fifty, sixty, maybe seventy yards away. A little part of him that wasn't paralysed with fear noted that this was too close. At the last instant he turned his face away, as a wall of hot air and steam seared his skin and slapped him back towards the woods. He caught a glimpse, as he did, of the stranded rider, the one who'd been shouting at the Scales, catapulted into the air, snatched from the ground by the dragon's tail. Of the Scales himself, there was no sign.



Gollancz cover

Worldbuilding-wise and character development-wise I'd say Deas and the Adamantine Palace is somewhere between Glen Cook and Paul Kearney. It could definitely do with some added depth but it is a masterful debut that throws you into the action pretty much from the first chapter.



The book has a strong political intrigue with the known world divided into realms ruled by Kings and Queens with their will enforced by the now cowed and domesticated dragons. The dragons are bred for this specifically, carefully plied with poisons and chemicals from the politically independant order of alchemists. An unscrupulous young prince, Jehal, embarks on a mission to grasp control of all the realms as Speaker of the Realms and will stop at nothing to gain his goals.

His path is quickly littered with betrayals and murders and though a highly unlikeable character his chapters are a joy to read as they push the pace up bit by bit.

Standing against him are Queen Shezira and her daughters, Shezira herself grasping for the title of Speaker as well as Hyram, the current Speaker of the Realms. The Adamantine Palace has many twists and turns in the court intrigue and by the last few pages you've probably been led back and forth a couple of times.

Outside the court, but not far from it's influences the two mercenaries Kemir and Sollos do dirty deeds for one of the many intriguing factions setting themselves up perfectly for a seemingly impossible task. When Queen Shezira is marrying off one of her daughters with Prince Jehal as part of a political powerplay the bridal gift, a perfect white dragon, is stolen on it's way to Jehal's family keep. Kemir and Sollos are conscripted into guiding Shezira's dragon knights in their search for the missing dragon. With time though, without the alchemical intervention and far from the dragon roosts, the white dragon Snow is awakened from the drug-induced slumber that the dragons are kept in. And with her awakening, the fury and hunger of the species slowly rears its ugly head.



The book plays out at an amazing pace, and the reader is left with little time for in-depth characterization or wider worldbuilding but at a fully crammed 379 pages the book rarely suffers from this. I can imagine the series having to see some development both of the characters as well as the world into the next book, but Deas has left me fully expectant that he will be able to pull it off.



US Cover - Penguin



I am impressed by Stephen Deas' development of his own kind of dragons, both their history and their general characteristics lead to a wanting to learn more, and the small fact that they are seemingly reborn upon death is an intriguing idea. Kemir and Sollos was a great read for as long as it lasted, reminiscent of many of Erikson's epic pairings. And though Jehal is home to a host of dislikeable mannerisms he is one of the more interesting characters and mainly the one to push the plot on.

All in all Stephen Deas' the Adamantine Palace is a great read, all the more special for being the author's debut, with a crackling pace and no shortage of plot twists. There's room for development in both the as yet unseen King of the Crags, which coincidentally is the name of the next book, as well as the mysterious Taiytakei who we've only seen fleetingly so far. I'd definitely reccomend the Adamantine Palace as a must read.

READSTER MAGNITUDE SCALE: 6.4

REMINDS ME OF: Joe Abercrombie's Best Served Cold in that it is distinctly brutal with many of it's seemingly central characters as well as a story that is packed full of violence, sex and intrigue in equal measures. Daniel Abraham's the Dragon's Path in that it's a powerful first novel in a series that does a good job of putting down groundwork and re-working some of the usual tropes. A promising first that will hopefully lead to even bigger and better things in the coming work.

That empty feeling again..

And so at long last I finally finished Forge of Darkness yesterday. I've got to say that the pace, at least for me, dropped off a bit towards the end but it's still a huge wow-feeling reading Erikson. He does every little thing that I value the most so well I found myself at times going back to the start of a page I'd finished just to read through everything. Almost like I didn't wish it to end.

There's a lot of familiar characters, frankly, there's a lot of characters period. But this is the part I love the most about the Malazan world. Every little detail is so well thought through that I can't find any faults with this tome. Or wilfully ignoring them I guess.

The awesome art is from PS Publishings' special signed volumes of Erikson's book. Made by David Gentry in a 300 edition. I'd positively love to own one but at 97£ they're a bit steep for me, sadly.

I'm still not certain where to go next. I feel like I have to give Mark Hodder a chance now, seeing the pair of books glaring down at me from their shelf. And with now only a matter of days before Joe Abercrombie's Red Country hit the shelves I'm a bit hesitant to pick any long read up as I will want to get my hands on it as soon as possible.

Well, that's it for the brief update, I'll get back to knocking in words for the Adamantine Palace review that was promised last week. Sorry 'bout that.

Adamantine review forthcoming

I need to get started on the review of Stephen Deas's excellent the Adamantine Palace, I just can't help myself though. I'm savouring every line of Forge of Darkness, you get sort of an idea of where we're headed now that I am pretty much halfway through.
But Erikson has that uncanny ability to rewrite the history that we thought we knew, and there have been plenty of brilliant revelations even this way into the book.

Hopefully I can finish the book in the next two days, might be a big ask, and then finalize the review for sunday at the latest. No promises though, we've got guests coming over for the better half of the weekend, as well as a team dinner to get through. And loads of work on sunday as well.
Cheers!

Scourge of the Betrayer

Jeff Salyards with his Scourge of the Betrayer has been touted as a future star in the gritty fantasy genre, even mentioned as an heir to Glen Cook. I'm beginning to feel a bit trite with whoever's making these comparisons, but I guess the joke's on me since I keep falling for it.
I'm not saying Scourge of the Betrayer is a bad book, and I'm not saying Jeff Salyards is a bad writer, but to me the style and story feel pretty far off from Glen Cook and his work. Apart from having a narrator and a first person narrative but I'm sure there are others out there like it.
This isn't necessarily a bad thing, but it irritates me some because I expect high paced, direct and brutal fantasy and get a well-planned story-telling approach to the whole ordeal. It's not really a negative side but I'll warn people to take the Glen Cook with a healthy dose of salt.
This is Jeff Salyards debut novel in the fantasy field though, and a fine one it is. The worldbuilding hasn't picked up full steam yet, but you get bits and pieces to show you forward and there's plenty of groundwork made for book two.

Salyards' story is a traditional build-up with the main character, Arkamondos, a wide-eyed youngster bored with his life as a quiet scribe who signs on with a troop of Syldoon mercenaries to see the world and get out of his mundane life. As the mercenaries' mission slowly unfolds Arki, as he is called, gradually feels more and more out of his depth. In a way it feels like a classic farm-boy story, the difference being I can't see Arkamondos finding a magic sword to whisk him out of trouble.

Most of my previous patrons could hardly stop their mouths - they regaled me with mundane minutia and inane stories, most of which involved the glories of mercantile conquest. Hardly riveting, but it was why they hired me. Pollus the apothecary, old wheezy Winnozin the priest, Nullo the foul-mouthed (and foul-smelling) tanner, Lektin the pinched-faced banker. Dull and duller, the whole lot. Even the Lady Anzella, who inherited her husband's shipping business after the plague took him, and managed not only to keep it afloat, but to make it thrive... beyond the novelty that she was a woman entrepreneur and a scuccesful one at that, she was just as mannish in her ability to bore a person to tears.

Captain Braylar Killcoin is an intriguing character slowly unfolded before Arki, and the reader, and we slowly learn more about his legendary Bloodsounder and it's impact on his life. It's a great concept, and a good read that's slightly reminiscent of Elric and his Stormbringer. The Syldoon that he command are a great lot of elite warriors being used as mercenaries in the neighbouring kingdoms, and their relations and dialogue within the group makes for a great read. The Syldoon are a feared people hired for their ruthlessness and effectiveness in battle but as the story goes on it's more and more apparent that the Syldoon have an agenda of their own, dragging young Arkamondos into the middle of mysterious plots and counter-plots leaving him scrabbling for firm ground.
The characters aren't really developed that much since this, the first novel, only stretches for a brief period of time. Salyards shares the trait of many of his contemporary writers in his, if not eagerness, then at least willingness to kill off many of the more central characters without much apparent sentimentality.

Being touted as the re-inventer and new poster-boy for the gritty realistic string of fantasy and being compared to great writers like Glen Cook, Richard K. Morgan and Joe Abercrombie lends to understandably high expectations. I'm not sure Jeff Salyards is quite there yet, he's not quite the finished product and he is still working on the world-building and development of his characters. He's got a fair bit left before I think he'd motivate comparisons to the above mentioned as his general style feels more like traditional fantasy. The combat-scenes are gritty and realistic but I think Salyards story suffers a bit from using young Arkamondos as the focal point. He's not a strong enough character to shape the writing, and his convictions colour too much of the story, at least to me, if he is to be compared to the likes of Abercrombie, Cook and Morgan whose writing is defined by a prominent touch of moral ambiguity, which in itself leads to a darker and bleaker world.

That's not entirely Jeff Salyards' fault though, it's not him drawing comparisons to great writers, but his writing is quite capable of standing on it's own though and it's a fine debut indeed. I just think he comes off lacking when you compare him to writers as direct and focused as the above. He is doing very well in setting up events for book two in the Bloodsounder Arc, and with the world-building on it's way as well I think he can continue to build on this in the way Daniel Abraham has with his Dragon's Path. It will be interesting to see where Salyards will take the still innocent and wide-eyed Arkamondos as the pace picks up and more pressure is applied to the Syldoon.

READSTER MAGNITUDE SCALE: 5.6

REMINDS ME OF: The Dragon's Path by Daniel Abraham in what feels like a more traditional fantasy set up with a lot of groundwork being made in the world-building and setting of style and mannerisms of characters and settings. Some strong points in the action sequences but a need to show more to justify a higher RMS. It's still a good read.

Steven Erikson, my personal hero

I'm a couple of hundred pages into Forge of Darkness now, and I have to say it's definitely restored my faith in personal hero and inspiration extraordinaire Steven Erikson. What he can do with his characters, his worldbuilding and his turn of phrase I have yet to come across from any other author. China Miéville is very close.
After a bit of a letdown towards the end of his Malazan Book of the Fallen I can say he has fully restored my opinion of him as the foremost now living author in the genre. It's intriguing and demanding at the same time, never just a comfortable read but, I would say, almost entirely always a more than satisfying experience.

I can see why some consider his writing a 'heavy' read, but I don't think you would get as fulfilling a ride if it wasn't for great vistas, philosophical interior/exterior debates and believable characters.

I am not psyched about nearing the end of this, the first of his Kharkanas trilogy. Hope he can keep up with his usual high-pace writing!

Friday musings at the office

Seeing as A Memory of Light, the final installment in Robert Jordan's epic tale of the T'averen, is to be released january 8 in 2013 do you think it'd be worthwhile to pick up the old tomes again?
I had an idea that I would collect the entire series in hard cover way back when. That was fresh out of authors like David Eddings (Belgariad, Malloreon and Sparhawk), Tad Williams (Memory, Sorrow and Thorn, which I incidentally never finished) and some Star Wars extended universe.

Can't say I've ever found that the Wheel of Time holds a candle to Tolkien but I found the beginning books quite interesting but seeing as to what I'm reading now, will it feel like a step back?
I might have to put it on my list of series to finish. Makes it easier knowing that the entire collection will soon be complete.

As an aside, can't describe how good it feels to immerse yourself in Erikson again. Forge of Darkness, it's begun. Awesome.

Orb, Sceptre, Throne

I will try again with a review for this, the fourteenth novel of the Malazan series (including Night of Knives but excluding Erikson's novellas and the newly released Forge of Darkness), written by the ever over-shadowed Ian Cameron Esslemont. I say over-shadowed because as part of the dynamic duo putting out novels, novellas and stories in the Malazan world Esslemont will always be second best behind longtime friend and perennial speculative fiction powerhouse Steven Erikson. Esslemont is a fair few books into his own Malazan stories, this being his fourth with a further two contracted.
Together with Steven Erikson he has created the world and the legends of the Malazan world while roleplaying during off-hours in their daily work as archeologists. It's a work that winds back and forth between the two authors and their respective stories and timelines, something that might feel a bit daunting taking on if you haven't tried either of the two out yet.

Esslemont is a writer who has grown with the task for every previous novel, and it is true in parts for this book as well. He takes up the torch following Erikson's massively climactic Toll the Hounds, Erikson's eighth book, and the events leading up to its close. The book sets up in the familiar city of Darujhistan and its surroundings picking up on the loose threads of a storyline from the very first of Erikson's books, the mythic return of a great tyrant from the city's past.

He set the tips of his fingers on the two-handed grip of his longsword and walked out to the middle of the amphitheatre sands. Over the years he had lost count of the many Thirds who had come and gone beneath him. The ranks of the Agatii, the top thousand were like a geyser in this manner - ever throwing up new challengers. And this one was an impatient example of a notoriously impatient ranking.

We see a host of old acquaintances as Esslemont gives his account of Kruppe the Magnificent, as well as the surviving Bridgeburners and hangers on; Picker, Blend, Spindle, Duiker and Fisher. Further in the Darujhistan crowd we see Torvald and Rallick Nom, Lady Envy among others. And finally, after much foreshadowing and building up, we see a more in depth characterization of the supremely skilled Seguleh and their history. It's an action-packed book that doesn't quite reach the level of Stonewielder which I would consider Esslemont's finest hour so far but it does well in removing - or closing if you will - some of the loose threads that have been left hanging by Erikson and Esslemont both.

A side-story sees Antsy travel to the crashed and sunken Moon's Spawn where he comes across several new introductions as well as some old ones thrown in for good measure. The two storylines are interlined with Antsy being confronted by Seguleh, Tiste Andii and notorious mages and necromancers which end in the climactic end to the Seguleh vs Moranth conflict. In a way.

As is the case with most of the Malazan books the first third/half of the book deals with a lot of stage-setting and plot-building which, at times, gets a bit tedious. Esslemont does have a more direct style than Erikson though, even as he can draw on the great sweeps of canvas that they've both prepared for these latter parts in the series. The concept of the Tyrant was a great one, with an awesome ominous feel to it, even if the Council chapters and the inevitable ending seemed a bit anti-climactic. You felt a bit cheated with this whole trying to tie together every loose end when you've seen some, at times, great character building that kind of fizz out due to what feels like Esslemont ran out of words. It is very likely that this puts the Darujhistan-storyline to a rest, and focus will now turn towards the mythical continent of Jacuruku with the Crimson Guard and the rifts therein.

I wouldn't say it's the finest work of the novels and novellas in the Malaz world but it's apparent that Esslemont has kicked on and upped his standard a fair bit since the first novel, Night of Knives. Malazan fans won't be let down; with thunderous battles between the Moranth and the Seguleh, legends from the Seguleh as well as great build-up on the Tyrant and his concept. Brief cameos from everyone's favorite necromancers in the Moon's Spawn was a nice touch as well. But in general the book suffers a great deal from it's rushed ending sequences. I can't really motivate a re-read value, I will most likely do it myself but that's because I'm entirely sold already on the Malazan way of life. Others though, I'll excuse you if you go through the catalogue at least once.

READSTER MAGNITUDE SCALE: 5.8

REMINDS ME OF: Acacia by David Anthony Durham. I would say David Anthony Durham has a lot more in common with Ian Cameron Esslemont than he has with Steven Erikson, and their works share a lot of similarities in that they have a decent enough ground to build upon but then, at least in my opinon, they rush through everything towards the end which lends an unfinished air to the whole. It's still good reading though.

The Steel Remains by Richard K. Morgan because in a way they share, to an extent, the same direct writing style. Esslemont has the benefit of a fully developed world beforehand but Morgan is the more technically gifted writer, and slightly darker in tone.

Getting my read on..

Just a short update to say I forgot to mention I also got K. J. Parker's Sharps in the latest batch. A novel that comes highly recommended and widely critically acclaimed. I'm intrigued by what I've learned so far, will be a good read definitely. Once I get there I suppose, which might take some time what with the current reading list and workload.

I've also started up on the Orb, Sceptre, Throne review once again and am a fair bit into the author presentation so far. Hope to get it up again soon as I feel I'm dropping behind now that Scourge of the Betrayer by Jeff Salyards has been finished for some time along with the Adamantine Palace by Stephen Deas which I just finished the other night.

Good read, the Adamantine Palace. Stephen Deas has done a great job of combining likeable characters with utterly loathsome ones in a court intrigue that by chance is leading up to a great grasp for power.

New acquisitions, G&S and Stephen Deas

I picked up my most recent purchases yesterday. No thundering rains or hurricane-like winds this time around which was a nice change, and as usual I can't wait to get into the lot of them! Sadly, it means my pile is growing at a faster pace than which I can read.
I've been toying with the idea of not visiting as many review blogs and what not for a while, so I won't be seduced into going after more books! I'm also way behind in my reviewing. I need to finish up a new version of the Orb, Sceptre, Throne review that I/blogspot managed to erase as well as get going with the Scourge of the Betrayer notes that I haven't really looked through.

A friend got me started on the Geek and Sundry youtube cast, and while I've only gotten through the first episode; The Story Board, Episode 1: Urban Fantasy, Threat or Menace? I'm positively surprised. Good to see some insightful discussion on plot and settings from working writers and a couple of good shout outs/recommendations. Check them out if you haven't.

I'm now about 130-something pages into The Adamantine Palace and Sollos and Kemir is growing on me. They're a pair reminiscent of many of Steven Erikson's dynamic duos with witty dialogue and good stagesetting.  I'm expecting a lot from Deas now, feel his style is somewhat reminiscent of Erikson's as a whole as well, much more so than other touted heirs Durham and Kearney. You're pretty much thrust into the setting and plot without much background, and I think (as long as you're not overwhelmed) it's something that works for him.

Good days are coming

On september 3rd Richard Morgan released a new excerpt from his upcoming novel the Dark Defiles, the last of his trilogy A Land Fit For Heroes. I still haven't managed to read through it yet, we're moving our office for a couple of months so I've had a couple of busy days.

But there's no reason you shouldn't have a look see. You can find it on Morgan's own blog, here, it's the entry called Visitation Rites.

I'm also expecting a new shipment, fingers crossed for tomorrow, in the next few days. I've got the Forge of Darkness, Sharps, King's Blood, Shadow and Betrayal, Seasons of War and finally a new graphic novel. Fafhrd and the Grey Mouser. Awesome stuff. And the pile grows again.

No reads today.

Adamantine Palace

It's been ages since I last had a read, work as well as tons of other obligations have kept me busy lately. I'm a few pages into Stephen Deas' The Adamantine Palace, and it's been a good read so far.


What I did notice today on Twitter though, was the mention that there's a free read from Gollancz for Joe Abercrombie's greatly anticipated Red Country. Find the extract here, I'm reading it almost as I'm writing this!

Slump dot com

I've been in sort of a slump ever since blogger/blogspot managed to delete the entire review I had finished on Orb Sceptre Throne. While not entirely catastrophic to the main function of this blog it set me back quite a lot in wanting to have a sit down and go again.

I finished Jeff Salyard's Scourge of the Betrayer the other day as well but have yet to start on another book, knowing that eventually I will want to go back and re-do the review for Orb Sceptre Throne so I get the reviews done in the right order again. But I'm not expecting to have it finished by early next weekend, I don't really want to set a deadline. But it will be done.

As will the review of Scourge of the Betrayer once I get my thoughts properly in order.

Footy season starts again today in the Premier League, have to wait until monday for Everton though.

For my next read I'm thinking either the Adamantine Palace or either of the Hodder books that I got a back while. Still shocked every time I realize I have yet to pick up Erikson's Forge of Darkness. The sample reading available seem epic enough and I can't really wait to get my hands on it. Just a bit mad that work and what not conspires against me.

I've been doing a bit of writing myself but it's hard to find time for everything both wanting and needing to be done.

Orb Sceptre Throne

Bullshit Blogger just managed to delete the entire review that took me the better part of the day to write. I am neither amused nor in a mood to start working on it anew since it now shows a completely blank page where my draft is supposed to be.

Piece of crap. I am very, very frustrated right now. If not mad. Can't say if I have the willpower to get going on a review again. I will probably scrap the Orb Sceptre Throne reviewing and get to reading.

Sorry guys. But I blame blogger.

Finished reading, and slow progress

Just a small bit of news in the middle of work work. I've started putting together my FINISHED READING page where my entire reading catalogue will (eventually) be shown, with their ratings as well. Of course I'll have links to the eventual reviews in time, but so far I haven't gotten that far down the list.

How stoked is everyone for the olympics? They're definetely interferring with my reading time, as well as it being summer of course so I try to spend some time outdoors.

I'm roughly halfway through Scourge of the Betrayer and it's a good enough read, but kind of slow going so far. The review for Orb Sceptre Throne is coming along slowly, computer time is not a priority right now but I'll have it up maybe by sunday at the latest.

The Dragon's Path

I wasn't familiar with Daniel Abraham, apart from seeing his name bandied around as one of the present-time great up-and-comers with his Long Price Quartet, before picking up the Dragon's Path after many recommendations. After some research I found that he had also written, under pseudonym, Leviathan Wakes together with Ty Franck which is another book that's been hailed as a second coming recently. But as I am more of a fantasy man myself, I chose to finally dip into this tome of Abraham's imagination.

Set in a fairly typical fantasy world, the Dragon's Path by Daniel Abraham introduces a measured approach to what, at least I believe, will be an epic series of books. The world is revealed in small bits and pieces along the way as the characters progress. The world in itself seems loosely based upon the old italian principalities of post-medieval times. I've seen complaints that people feel the world-building has been stood to far in the corner, something that usually irks me, but I was swept away by the story so thoroughly that I hardly noticed. I've snuck a peak through a few reviews of the King's Blood (book 2) and the general conscensus seem to be that everything (well, mostly the parts you need) will be revealed in time.

Abraham's world map

“Stop!” the man cried in a deep and resonant voice. “Stop now, and come near! Hear the tale of Aleren Mankiller and the Sword of the Dragons! Or if you are faint of heart, move on. For our tale is one of grand adventure. Love, war, betrayal, and vengeance shall spill out now, upon these poor boards, and I warn you . . .”
The actor’s voice seemed to drop to a whisper, though it still carried as clearly as the shouting.
“. . . not all that are good end well. Not all that are evil are punished. Come close, my friends, and know that in our tale as in the world, anything may happen.”

Abraham writes a story beginning both in the city of Vanai as well as in the Kingdom of the Firstbloods, Antea. In Vanai the Medean bank faces a mercantile problem in the city's Prince who is at war with a neighbouring state and needs all the funds and men he can acquire. The Vanai angle gives us the POVs of both Cithrin Bel Sarcour, a half Cinnae girl of 17 and a ward of the Medean bank, and Marcus Wester, a cynical mercenary who's had a long fall from fortune and seeks a way out of Vanai without being pressganged.

In Antea we see factions vying for the King's favour one being led by Dawson Kalliam, the King's old friend and ally. Together with his allies he seeks a way to discredit his opponents at court before the power balance shifts.
In the field but heiring from Antea we also follow the young nobleman Geder Palliako's rise into prominence inspite of his own best efforts.

Abraham leads us on a chase as Cithrin and Marcus travel from Vanai and then into bank intrigues as they arrive in Porte Oliva. Cithrin's character goes through a dramatic progress from frightened teenager to a young woman who uses her wits and knowledge drummed into her as a ward to prosper in the new city. Marcus remains the stalward mercenary wounded and still tormented by his past. I've seen many reviews claiming this makes him a somewhat one-dimensional character but I believe part of this is because he is coupled with Cithrin who together with Geder Palliako goes through the book's most dramatic changes. He serves his purpose as a father-figure/reliable to give Cithrin something to cling to, some security which would seem essential to her eventual growth.

The court intrigues of the Antean court with  the Baron Dawson Kalliam at their heart are well written and somewhat reminiscent of George RR Martin's court, they do lack quite a few of the twists and turns though. Dawson is a traditionalist, something that gives his character that much more depth in the context of the story. You find yourself rooting for someone who to all appearances is an elitist bigot, but somehow you feel he is fighting for a just cause. Even if that cause is his King's life and trying to keep Antea what it is and always has been. The two, well not entirely, story focal points are tied finely together in short cameos and mentions along the way.

I'm looking at getting The King's Blood, book 2 in the series, with the next batch of books I buy. I would say for a first book in an epic series Daniel Abraham may have let a few people down with his world-building. Me, however, I was to caught up to notice. I can't wait to see the development of the anti-hero that is Geder Palliako with his new position at the court of Antea as well as Dawson's struggle in the face of the changes which are roiling underneath. I would recommend the book to most of my friends, and I feel that it's particularly good in that it serves quite well as an introductary book as well as being a must read for someone who reads a lot in the genre.

READSTER MAGNITUDE SCALE: 6.8

REMINDS ME OF: At a glance I would say the Dragon's Path is similar in style to the Lies of Locke Lamora by Scott Lynch. They share traits in the introductory style even if Lynch sets a far higher tempo towards the latter parts of the Lies of Locke Lamora.
It is slightly reminiscent of parts of George RR Martin's work with the focus on characters and the sparse use of magic but it reads more like an adventure story than a court intrigue in its entirety and is far from as brutal as a Song of Ice and Fire.

A long weekend

It's been a long weekend, and lots of time wasted that could have been spent writing or working on this blog. I suppose it shows that my priorities are somewhat in order.
I've done quite a lot of reading, and finished Orb Sceptre Throne earlier today, and I have to say Esslemont's writing is still evolving and it's been great going back to these familiar characters. Didn't realize how much I had missed them until I got a few pages into the book.

Can't say I'm entirely done with either review (The Dragon's Path or Orb Sceptre Throne) but I'll continue to plod away. This week I will be house-sitting for my girlfriends grandparents so no internet for the computer so will have definitive trouble getting them togheter but I bet you can wait for a bit longer.

Still deciding on which book to start on now!